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Re: Lithuanian I/i with ogonek in serif typeface
The general approach for all European use of the ogonek is to attach in such a way that the hook sits below the right side of the letter but does not extend beyond it. The easiest way to achieve good…4 -
Re: Classifying Icone by Adrian Frutiger and Avance by Evert Bloemsma
Most typeface classification is art history in its most basic sense, and that doesn't imply that type design is Art in a romantic sense (any more than most of the things that humans have ever made an…2 -
Re: Extinct Caslons?
Speaking of extinct Caslons, I see that Gerald Giampa's digital revival of Lanston's Caslon Oldstyle 337 is apparently still available from P22. Somewhere on an old drive I must still have copies of …1 -
Re: Latin without Cross Sign and Arabic Without Dots
1. No. The crossbars of f and t are integral to these letters. Without them, f looks like ſ (long s, which sometimes has a spur on the left side, but sometimes is just thehook and stem), and t can be…1 -
Re: Which version/national cut of Times (New Roman)?
That is nice. Most of the digital versions of Times were based on larger size masters, so end up being too light, too narrow, and with too small an x-height in text. If you like the look and feel of …2
